Arturia Moog Modular V2.5 Virtual Synthesizer

Moog Modular V2.5 Virtual Synthesizer description:

The Arturia Moog Modular V2.5 is a faithful reproduction of the Moog Modular, one of the most famous series of synthesizers.

It was in 1964 that the first prototype of a Moog synthesizer was produced. It was presented at the AES Show (Audio Engineering Society) and immediately generated a huge amount of interest. In 1965 Bob Moog decided to release the 900 series for commercial sale, and in 1967 he made the decision to produce different machines, each with a certain number of modules. This marked the birth of modular systems I, II and III.

Arturia, in partnership with Bob Moog, has made a faithful reproduction of one of the most famous series of synthesizers: Moog Modular. Whether recreating the abstract tonal qualities of the classic electronic soundtracks, or pushing forward the sonic boundaries of today, the Moog Modular V is the synthesizer of choice for sound exploration, anywhere, anytime. It has all the vibe and the fat sound of the original, cleverly combined with important contemporary features like polyphony, MIDI control, loading and saving of patches…

The main features of the Arturia Moog Modular V2.5 include:

• All the parameters of the original Moog Modular: 9 oscillators, 2 LFOs, 3 filter slots, 1 Noise Generator, 6 envelopes, 2 VCAs
• 16 auxiliary VCAs with modulation inputs
• 24-step sequencer
• 1 filter bank (14 bandwidths available)
• More than 600 presets, made by professionals
• Main stereo outputs
• Mono / polyphonic (up to 64 voices per instrument)
• Soft clipping function
• No aliasing from 0.1 Hz to 16 kHz
• 64-bit floating point precision
• Sampling rate: up to 96 kHz
• Playable through a MIDI keyboard
• 1 stereo delay
• 1 chorus
• Very accurate reproduction of the legendary Moog 24 dB low-pass filter
• 1 Chorus and Delay Effect section (besides 12 Stage Phaser and Ring Modulator)
• Superb audio quality with TAE® engine. 24 bits/96 kHz supported

New features for V 2.5 include:

• Switch to Syncrosoft copy protection
• VCF audio quality improvements
• Lower CPU utilization on Mac OSX
• Better Audio Unit compatibility (Digital Performer most notably)
• Ability to use NRPN midi messages for automation
• better handling of control surfaces while changing preset
• new presets added
• midi RPN "pitch bend range" message is now recognized
• bug fixes