TL Audio Classic C1 Twin Channel Compressor

Classic C1 Twin Channel Compressor description:

The TL Audio CLASSIC C1 Compressor. Highly versatile twin channel device, ideal for instrument tracking and mix buss applications, 2 channels of soft knee, variable ratio compression with mic, line and Instrument level inputs.

The TL Audio CLASSIC C1 maintains its position as the most flexible, polished sounding high end compressor on the market today. Now featuring a spectacular raven blue 6mm CNC milled aluminium front panel, General Electric US military specification valves, high retention gold plated ceramic valve bases and circular back-lit VU meters, the new C1 is even fatter sounding and more rugged than its legendary predecessor. All controls are continuously variable and high quality onboard mic preamps allow direct-to-tape recording of microphone sources. Stereo front panel instrument inputs mean a keyboard or guitar can feed straight into the C-1 and down to tape with a minimum of fuss. Whether the C-1 is tracking vocals and instruments or adding roundness and warmth to a complete mix, it will become an indispensable part of your signal path within hours. The C-1 features a low noise solid state preamp followed by two valve stages per channel. The valves are General Electric ECC83/12AX7A types, run from a stabilised 250v DC power supply. The first valve stage acts as a voltage amplifier, with the second stage forming part of the gain control element. The gain control is a unique transconductance stage which avoids the use of VCAs - thus improving transparency and minimising distortion, which is virtually constant at 0.05% over the full bandwidth. The frequency response of the C-1 is virtually flat between 20Hz and 40kHz, and measured between -3dB points, the C-1's bandwidth is a staggering 5Hz to 70kHz.

The main features of the TL Audio CLASSIC C1 include:

• Highly versatile twin channel device, ideal for instrument tracking and mix buss applications, 2 channels of soft knee, variable ratio compression with mic, line and Instrument level inputs
• Balanced mic and line level inputs
• 2 channels of soft knee, variable ratio compression
• Balanced mic and line level inputs
• Balanced line outputs, switchable for -10dB or +4dB operation
• Unbalanced jack I/O connections
• Stereo front panel instrument inputs with gain control and sensitivity switch (for guitar or keyboards etc.)
• Sidechain insert points for frequency conscious compression
• 48v phantom power
• 90Hz high pass filter switch (12dB / octave). Applies to all inputs
• Continuously variable Input Gain, Threshold, Attack / Release times, Compression Ratio and Gain Make Up
• Program dependent compression characteristic- attack and release times automatically adjust in response to program material
• Stereo Link mode - gangs Threshold, Attack, Release and Ratio controls for processing stereo signal sources
• Back-lit circular VU meters allow monitoring of either output level or gain reduction
• Bypass switch with LED
• Frequency response 20Hz to 40kHz +0 / -1dB