RME Fireface 802

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Item: PCM0012949-000

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60-Channel High-end 192 kHz USB/FireWire audio interface from RME, the Fireface 802 is based on the RME Fireface 800, reference... All product info

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RME Fireface 802 Audio Interface

60-Channel High-end 192 kHz USB/FireWire audio interface

The RME Fireface 802 builds on the success of one of the most popular audio interfaces ever made – the RME Fireface 800. With 60 channels of audio, high quality mic preamps, reference class converters, a built-in effects section and up to 192 KHz operation, the Fireface 802 brings the series to the next level of quality.

Featuring ultra-low latency over USB or firewire, the 802 features RME’s trademark rock-solid drivers, active jitter suppression, independent reference levels for all i/o and full stand-alone functionality. The unit utilises the RME TotalMix software to provide control over every function and signal routing in a simple and workflow-conscious way. TotalMix also gives you access to DSP-powered EQ, Dynamics and Reverb/Echo effects at up to 192KHz, giving you multiple tools to shape your audio.

In Class Compliant mode, the Fireface 802 is compatible with iOS and can be controlled via TotalMix FX iPad app for maximum portability. With access to complete control of all functions plus metering for all channels, the app is perfect for recording live music in standalone mode.

This powerful combination of features and stellar audio quality make the RME Fireface 802 a truly inspiring recording solution – an entire full-blown studio in a 19” rack enclosure. Just plug in your sources and monitoring and be prepared to be blown away.

The main features of the RME Fireface 802 include:

AD, Line In 1-8, rear

Resolution AD: 24 bit
Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz
Frequency response @ 192 kHz, -1 dB: 5 Hz - 92 kHz
THD: < -110 dB, < 0.00032 %
THD+N: < -104 dB, < 0.00063 %
Channel separation: > 110 dB
Input: 6.3 mm TRS jack, electronically balanced
Input sensitivity: 8 kOhm unbalanced, 12 kOhm balanced
Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
Input level for 0 dBFS @ Lo Gain: +19 dBu
Input level for 0 dBFS @ +4 dBu: +13 dBu

Microphone In 9-12, front

As AD, but:

Input: XLR, electronically balanced
Input impedance: 3.4 kOhm
Signal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA
Gain range: 54 dB
Maximum input level, Gain +6 dB: +10 dBu

Instrument In 9-12, front

As AD, but:

Input: 6.3 mm TS jack, unbalanced
Input impedance: 800 kOhm
Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
Maximum input level, Gain +6 dB: +21 dBu

DA, Line Out 1-8, rear

Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
THD: -104 dB, < 0.00032 %
THD+N: -100 dB, < 0.00063 %
Channel separation: > 110 dB
Output: 6.3 mm TRS jack, servo-balanced
Output impedance: 75 Ohm
Output level switchable Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV

DA - Stereo Monitor Output Phones (9-12)

As DA, but:

Output: 6.3 mm TRS stereo jack, unbalanced
Maximum output level at 0 dBFS, High: +16.8 dBu
Maximum output level at 0 dBFS, Low: +2 dBV
Output impedance: 30 Ohm

AES/EBU

2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992

ADAT Optical

2 x TOSLINK I/O, format according to Alesis specification
Standard: 2 x 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
Quad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz

SPDIF optical (via ADAT2)

1 x optical, according to IEC 60958

Word Clock

BNC, switchable termination

Scope of Delivery:

Software: Yes

Features:

Manufacturer: RME
Number of Microphone Inputs: 4
Number of Channels: 56
Hi-Z Inputs: 4
Phantom Power: Yes
ADAT: Yes
AES/EBU: Yes
Wordclock: Yes
Bit Resolution: 24 Bit
sampling rate (kHz): 192
Latency Free Monitoring: Yes
DSP Mixer: Yes

Rating

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Price/Performance (5.0)
Craftsmanship (4.6)
Sound quality (5.0)
Operation (4.6)
Equipment (4.9)

9 Review

5 Stars
9 Customers
4 Stars
0 Customers
3 Stars
0 Customers
2 Stars
0 Customers
1 Stars
0 Customers

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Great Unit but..

Review from: Mixed Up Studios at 05/22/20

Great unit, replaced my FF800 which died.

However, for some reason the chassis is a few mm bigger than the FF800 and wouldn’t fit in the rack on my desk. Why would they make it bigger?? Probably my desk, but if your FF800 is already a bit snug, and you’re looking to upgrade, bear this in mind.